Nonspeakers

Short story: How Curious

Amelia Jane is a 13-year-old nonspeaking autistic writer. This short piece can be interpreted many ways. What do you think it means?

an RPM rapid prompting method letterboard stencil is in a tree with sunlight shining through the letters. Photo credit by autistic advocate matthew rushin.

Tiny Typing Kids: A letter to young nonspeakers

Trevor Byrd is a teen nonspeaker who gained access to communication when he enrolled at Reach Every Voice. After seeing a young girl spelling on a letterboard, he wrote this letter to all the young spellers.

Poetry: Dawn, Midday, and Twilight

Rishi Jena is a teen nonspeaker in high school. His first publication with NeuroClastic features a poetry collection that chronicles a day with optimistic whimsy.

Poetry: Autistic Self Love

This poem from audience favorite, teen nonspeaker Anantha Krishnamurthy, captures a truth that only some readers will see.

a silhoette of a man is falling into deep water and is several feet below the surface. Between him and the surface is a lyre.

Reply to a Lullaby

Anantha Krishnamurthy, nonspeaking teen poet, is an Old Soul. This poem pulls readers through a layered theme from previous work with Layers lurking deep below the surface.

The OCD is in Control

Trevor Byrd is a nonspeaking autistic teen struggling with obsessive compulsions. He conjectures that OCD is his brain’s way of trying to gain some control over his circumstances.

This image is for nonspeaking autistic author Ben Breaux's review of the film, The Reason I jump. The image features six photos from the film of the different autistic characters in the movie

REVIEW: The Reason I Jump – An Unusual Film With a Very Important Message

Ben Breaux, nonspeaking autistic advocate and author, reviewed the award-winning film, The Reason I Jump, an adaptation of Naoki Higashida’s best-selling memoir of the same title. Breaux interviewed several members of the cast and crew to pen this critically-important and profoundly-insightful analysis of the film.

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