theater

Writing Intersections: How to Look “Both Ways”

Schereéya Reed interviews three authors and provides tips for writing intersectional identities. “Representation doesn’t just happen. You have to actively choose it. Sometimes you have to demand it.”

Hell is Other People, a One Act Play

What is the point of communicating if people are going to ignore your message but focus on your “tone,” or tell you they know how you feel better than you do, or that your feelings are a problem? Why speak if they are only going to complain that you echo and script?

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